

Technique Patterns - Compound Stickings
Group A Stickings (pg. 35-39)
Group B Stickings (pg. 40-46)
Group C Stickings (pg. 47-49)
Group D Stickings (pg. 50-52)
Group E Stickings (pg. 53)
Studies Involving Sticking Mixtures (pg. 54-58)
Moving An Accent Through A Rhythm (pg. 59)
Applying Compound Stickings to the Drum Set (pg. 60-70)

Sticking Patterns - Polyrhythmic Stickings
Rhythmic Figures Over Large Spans of Time (pg. 55-57)
Studies on Quarter Note Based Figures (pg. 58-78)
Studies on Dotted Quarter Note Based Figures (pg. 79-86)

Syncopation - Accents for Fills & Solos
Lesson One: Accented 8th Notes (pg. 47-49)
Lesson Two: Accented Dotted 8th/16ths (pg. 50-52)
Lesson Three: Accented Triplets (pg. 53-58)
Lesson Four: Triplets with Mixed Sticking (pg. 59)
Lesson Five: Accented 16th Notes (pg. 60-63)

Syncopation - Triplet Fills
Lesson Six: 8th Note Triplets & Quarter Notes (pg. 14-15)
Lesson Seven: 8th Note Triplets & 8th Notes (pg. 16-17)
Lesson Eight: 8th Note Triplets & Dotted 8th/16ths (pg. 18-19)

Syncopation - 16th Note Fills
Lesson Nine: 16th Notes & Quarter Notes (pg. 20-21)
Lesson Ten: 16th Notes & 8th Notes (pg. 22-23)
Lesson Five: Dotted 8th/16ths (pg. 12-13)
Lesson Eleven: 8th/16th Combinations (pg. 24-29)

Syncopation - 8th Note Fills
Lesson Four: 8th Notes & Quarter Notes (pg. 10-11)
Lesson Twelve: 8th Note Rests (pg. 30-32)


The Language of Drumming - Dynamics & Sticking
Dynamic Letters (pg. 15-16)
Sticking Letters (pg. 17-18)
Diddles 1 and 2 (pg. 19-22)
Flams (pg. 23-24)
Double Note Singles (pg. 25-26)

Sticking Patterns - Compound Stickings
Group A Stickings (pg. 35-39)
Group B Stickings (pg. 40-46)
Group C Stickings (pg. 47-49)
Group D Stickings (pg. 50-52)
Group E Stickings (pg. 53)
Studies Involving Sticking Mixtures (pg. 54-58)
Moving An Accent Through A Rhythm (pg. 59)
Applying Compound Stickings to the Drum Set (pg. 60-70)

Sticking Patterns - Singles & Doubles
Accented Single Strokes (pg. 5-7)
Single Accents (pg. 8-9)
Double Accents (pg. 10-11)
Triple Accents (pg. 12-13)
Quadruple Accents (pg. 14-15)
Studies Involving Accented Single Strokes (pg. 16-25)

Rhythm & Meter Patterns - Polyrhythms
Rhythmic Figures Over Large Spans of Time (pg. 55-57)
Studies on Quarter Note Based Figures (pg. 58-78)
Studies on Dotted Quarter Note Based Figures (pg. 79-86)

Rhythm & Meter Patterns - Mixed Rhythms In Odd Meters
Studies on Quarter Note Based Figures (pg. 19-36)
Studies on Dotted Quarter Note Based Figures (pg. 37-42)
Meter Studies (pg. 43-54)

Rhythm & Meter Patterns - Subdivision Combinations
Dynamics (pg. 5-12)
Exercises on Quarter Note Based Figures (pg. 16-17)
Studies on Quarter Note Based Figures (pg. 18)


Stick Control - Short Rolls and Triplets
Triplets (pg. 8-9)
Short Rolls and Triplets (pg. 14-15)
Short Rolls in 6/8 (pg. 24-29)
Combinations in 3/8 (pg. 30-32)
Combinations in 2/4 (pg. 33)

Stick Control - Rolls
Single Beat Rolls (pg. 10)
Double Beat Rolls (pg. 11)
Closed Rolls (pg. 12)
Review of Short Roll Combinations (pg. 13)

The Language of Drumming - Odd Groupings
Words (pg. 41-44)
Threes / First Position (pg. 45-46)
Fives / First Position (pg. 47-48)
Sevens / First Position (pg. 49-50)
Threes / Second Position (pg. 51-52)
Fives / Second Position (pg. 53-54)
Sevens / Second Position (pg. 55-56)
Threes / Third Position (pg. 57-58)
Hi Hat Words: Three, Five & Seven (pg. 59-60)
Words Recap Sheets (pg. 61-64)
Independence Words (pg. 65)

Time Functioning Patterns - Linear Phrasing
Linear Phrasing (pg. 40)
Basic Linear Phrases (pg. 44-47)
Using Linear Phrases to Play Solos (pg. 48-49)
Triplet Linear Phrases (pg. 50)
